In our ongoing series where we bring the lowdown on cities across Britain to discover what is happening on the Christian music scene, John Baugh reports on Reading.
Reading - not quite a city, not much of a light. Former night-time ghost town now transformed by 150 plus new pubs into the place where up to 25,000 plus go to enjoy themselves of an evening, Reading has become the booming heart of the Thames valley. Each year it hosts Britain's biggest rock festival while world music lovers can enjoy WOMAD.
But what about Reading from God's agenda? The location of an abbey, which before it came a cropper at the hands of Henry VIII, was known for worship, hospitality and pilgrimage, in modern times the town-wide Church has hearteningly begun to work together particularly since a groundbreaking Ed Silvoso conference in 1997. Today a new prayer focus is coming from the 24/7 Boiler Room. On July 13th the most significant initiative of all, TheCall England, to be held at the town's football stadium, will involve every church in Reading worthy of the name and make Reading the centre of attention for every praying Christian in England.
Reading has played its part in the development of grassroots Christian music ministry. For a while during the '90s it hosted its very own festival, JAM (Jesus And Music) and is now enjoying an increase in youth worship events such as Lifted and Radiant. The rise of the new pubs has not led to an increase in places for live music with a recent example of the need to "do it ourselves" shown in the new Delicatessen acoustic evenings at the 21 South Street arts centre. We lifted the lid on the Reading scene and as well as the usual 'City Lights' questions asked 'Why Reading for TheCall England?'
Artists
AIRSTAR
STYLE: Generally pop-based but hard to pin down.
Sometimes acoustic trio, sometimes with added bass weirdness,
sometimes a full band.
LINE UP: A loose creative collective built
around three core members: Prod Pritchard (vocals, guitar), Harv
Jessup (guitar), Jules Seal (vocals). Joined on occasion by keyboard
player Adam Carpenter, bassist/weirdness-generator Steve Lawson and
drummers Mike Simpson and Si Saunders.
BACKGROUND: Prod and Harv
played in Flow, who cut the spectacularly good indie pop album 'Sense'
(ICC) in 1996 and played lots of gigs together before splitting in
2000. In 2001, Prod and Harv started playing a few acoustic gigs just
for fun, playing mainly old Flow songs, realized they enjoyed it and
liked what was coming out, so carried on. Last year they released a
mini-album, 'UnseenForces', which captured the band's acoustic persona
(see CR 67). The first full-band gig was at Greenbelt 2001. Currently
Airstar are demoing new material.
ABOUT THEIR MINISTRY: Harv
Jessup: "Our gigs are all in mainstream circuit venues and our
audience isn't predominantly made up of Christians. That's where we
want to be. In terms of what we're saying, T Bone Burnett said, 'If
Jesus is the Light of the World, there are two kinds of songs you can
write. You can write songs about the light, or you can write songs
about what you see from the light' We mainly do the latter. Everything
we do as artists, as musicians and as people will hopefully reflect
our faith."
WHY READING FOR THECALL ENGLAND?: As one of the
organizers said, why not?
TERRY BURGESS/FABULOUS BINGO BROTHERS
STYLE: Pop, rock,
folk/roots
LINE UP: Presently just Terry (acoustic guitar/vocals)
but the Bingos were a full band.
BACKGROUND: Formerly with '70s
gospel rock combo Broadside Outcasts, Terry went on to write songs for
Snuffles The Hedgehog in the '80s, as well as forming Fabulous Bingo
Brothers for Greenbelt Fringe duties during 1985-1986. The band was
intended as a project to be a more creditable carrier of his songs
than if done purely solo but seemed to take on a life of its own for a
few years. Even now post-Bingos Terry continues to find time to write
although recording time has been squeezed out. His most recent being
with "Three more demo songs... do you think that's wise". In February
1999, Cross Rhythms reviewed the tape and gave it five out of ten,
which with the tone of the review pleased Terry.
ABOUT HIS
MINISTRY: "Well, I'm sure some teenagers may like my stuff but my
songs all (I think) reflect life as it is for me (or has been) and
mums, dads, husbands, wives, ex-husbands, ex-wives, middle age crisis
victims, 30-something go-getters and so on may find something in my
material they can identify with. And I just want to say to them, 'Hey,
look, you are not alone...' Obviously I think my stuff has a Christian
slant to it, but I don't think it's always obvious."
WHY READING
FOR THECALL ENGLAND?: "Reading is such a 'nearly' town. So nearly a
city... and the end of season situation for the football team was
typical when people kind of expected to 'almost-but-not-quite' get
automatic promotion and end up in the play-offs. Yet the town is
really quite a live, thriving and throbbing thing with a town centre
that is quite transformed from the 'ghost' town of several years ago
to be a real nightlife magnet. But, this nightlife is totally aimed at
satisfying short-term needs and desires. So many people come to the
area to work for a couple of years and then move out. No real roots
are put down and everything about the place is so short-term and
today... not tomorrow or beyond. Maybe, just maybe, God sees the town
and the people and young people of it as something that symbolises so
much of the way things are these days and as such the town is the
ideal place to start giving people something more than the short-term
wine-bar experience, the temporary 'security' of high-tech jobs, too
expensive housing, fitness clubs, lunch-time squash, BMWs, a serious
but hidden drug culture, aimless and disenfranchised young lives and
so on."
CAN'T PLAY WON'T PLAY
STYLE: Rock and blues
LINE UP: Paul
Alexander (bass/vocals), Brian Waite (guitar/vocals), Joe Nallon
(guitar/vocals), Stuart Tanswell (keyboards), Matt Alexander (drums)
BACKGROUND: This wonderfully monikered band was formed in 1997
as part of a youth group production of Joseph And His Amazing
Technicolor Dream Coat. They enjoyed it so much they stuck together to
play their own material and provide music for musicals such as Hopes
And Dreams and Joseph (again). They also got to play at very public
events such as at the London Marathon and at the Docklands arena for
the Millennium celebrations there. In February 2001 they got to record
their first CD -a mini album of four original songs
ABOUT THEIR
MINISTRY: Joe Nation: "We are a rock and blues band who do worship and
mainstream. We do write our own material as well as cover all the
favourite worship songs although we don't do any worship leading
ourselves, there are lots of people better suited to that than us. We
have tried to keep a foot in both camps, but most of our time at
present seems to be doing events with a Christian connection. What I
hope we do is build bridges between the different branches of
Christianity. Our ongoing contacts and friendship with many local
churches in providing the band or PA and lighting for shows and events
is something that I am very pleased about." WHY READING FOR THECALL
ENGLAND?: "Why not, with the other festivals that are held in Reading,
this could just be the start of something bigger."
CEPHAS
STYLE. Punk
LINE UP: Adam Bones (guitar), Andy Wilson
(bass), Ray Driscoll (drums), John Peddie (vocals) (with the
occasional trumpeter!)
BACKGROUND: The band have been together
three years and have been working on the secular scene in and around
the south of England playing alongside bands such as Vex Red, Halo,
Reuben, Lightyear and Caffeine as well as playing festivals like
Greenbelt. The band have recorded three independent EPs, 'Happy Go
Loser' (1999), 'Fool On Show' (2001) and, on April 26th, 'New Wave'.
ABOUT THEIR MINISTRY: John Peddie: "We believe Jesus as well as
being the Son of God was in fact a punk as his message stood out
against what society was saying. Our vision is to see the message
brought to people in the secular music scene through God's greatest
creation punk rock!"
WHY READING FOR THECALL ENGLAND?: "Because
Reading is the centre of all God's plans, isn't it?"
PAUL COOK
STYLE: Roots/acoustic with rock overtones
LINE
UP: Paul (Guitar/vocals) backed by bits of Rendered (see below) plus
Colin Green (bass)
BACKGROUND: Although Paul has played guitar
from his youth, when he became a Christian the worship sounds of Matt
Redman and Delirious? inspired him to put his playing to good use in
writing worship songs. He was once a member of local band Rendered but
his path took him more to worship songwriting - although they still
back him when a larger band sound is needed. He has played the town's
events Radiant and Lifted mainly in worship, which is where his heart
remains. His first proper set of songs recorded at Reading's Wired
Studios is now set down on the CD 'Shine So Bright'.
ABOUT HIS
MINISTRY: "Although it has been a varied road to where I am now,
worship has become my main focus. Collaboration with other local
musicians in a worship setting is where I would like to go but am not
quite sure how."
WHY READING FOR THECALL ENGLAND?: "I wish I
knew! It seems there is a lot happening with different people doing
different things. Maybe Reading needs something like TheCall to bring
all these threads together."
EVE AND THE GARDEN/ENYGMARTYR
STYLE: Celtic/roots
LINE UP:
Phil Rainey (bass, woodwind), Paul A Davies (guitars, bouzouki,
percussion), Alison Eve (vocals, guitar, brass, percussion,
keyboards), Paul Cudby (drums, percussion), Alyson Rainey (violin)
BACKGROUND: It has been a long road stretching back to 1984 and via
various bands that brought this band together. Taking inspiration
initially from the Celtic Church then mixing in acoustic instruments
from around the world has given them a singular sound. The first album
'Quiet Earth, Shining Stars' was a celebration of the revelation of
God through creation. "Unfortunately it also managed to get us
pigeonholed as a New Age act by some quarters of the Church,"
commented Paul Cudby. Since then a second album has been a long time
coming. Among the delays has been the building of the 'project' studio
Tollbooth, which once completed has proved popular. Artists like Helen
Turner, Elan, Miles Cain and Airstar have used the facility. Paul A
Davies has also used the studio to produce a solo project 'Postcards
From Aunt Cordelia' (October 2001). In the writing of the second album
'Sandance' a second set of songs with a distinctive 'larger' sound
emerged which will be released under the name Enygmartyr.
ABOUT
THEIR MINISTRY: Paul Cudby: "We do what we do simply because God has
given us abilities to put our lives' experiences into a musical
framework. We hope that we can communicate something of what the
Christian life is."
WHY READING FOR THECALL ENGLAND?: "I think
it's a little difficult to know. I suspect that it's likely to be a
combination of factors. Firstly, it seems to be that people have
responded to God's call and are acting in response to the Holy Spirit.
It's not impossible that the Father has tried elsewhere without
success, and since we are the Body of Christ on earth, he has to work
with those who respond to him. It's also a good place strategically
since it's easily accessible by road and rail. And ultimately, well it
may be none of these things. God chooses the foolish to shame the
wise, so perhaps he chose Reading because it looks like a foolish
thing to do! The important thing is to realise that all mission is the
mission of God, and we are simply participants in the work God is
doing. Let's be grateful that he feels he has people to work with in
Reading."
PETER GEE
STYLE: Rock
BACKGROUND: Peter plays bass for
secular band Pendragon who play what was once called "progressive
rock". They are in the mainstream stage and came close to a major
record contract n the '80s. When that fell through they set up their
own label Toff Records in 1989 which has since provided an outlet for
the bands various projects. Peter has also been able to release two
solo albums in that time. Presently, apart from Pendragon he has two
sets of new songs on the way, one a third solo album and another a set
of worship songs. The solo album will in time emerge on Toff Records
but he hopes to find a Christian outlet for the worship album. He is
also involved in worship at his church, St Peters, Maidenhead.
ABOUT HIS MINISTRY: "Well, I would say that faith is in the albums
but it's not obvious."
WHY READING FOR THECALL ENGLAND?: "I
think I must plead ignorance, although it does sound exciting."
JERICHO
STYLE: Guitar/electronic fusion
LINE UP: AN Clewer
(drums), Tom Derrett (bass), Barry Ramsey (vocals), Nat Baker (guitar)
BACKGROUND: The band came to life in 1998/99 when, simply
enough, one of the members wanted to start a band and pulled people
together from those he knew. Over the years they've gigged all sorts
of events around Reading and the Thames Valley. They also have a five-
track EP 'Anonymous' to their name. At the start of the year a couple
of band members got married so the band decided to leave a bit of
space. Still in contact with each other the band may get their heads
together and write new material later in the year.
ABOUT THEIR
MINISTRY: Nat Baker: "It is different for each of the members but for
me the band is there to show the credibility of Christian music - that
it is not the stereotype that many people still have."
WHY
READING FOR THECALL ENGLAND?: Nat: "Not sure but I've always thought
there was something special about the town."
LOUISE MARSHALL
STYLE: Acoustic/roots
BACKGROUND: Louise
started from leading worship in her church. Then whilst traveling and
writing songs she felt God call her back home. In the UK she was able
to record her first collection of songs, Translucent' with the help of
French Gavin. Although it wasn't a massive success she is now working
on demo songs for a second album. In between these recording
activities she has been playing live, mostly at church venues in the
UK and the USA and will be at the Grassrootz festival in Kent this
summer.
ABOUT HER MINISTRY: "Worship is my heart and
passion."
WHY READING FOR THECALL ENGLAND?: "It has a lot of
students and there is a lot of opportunity for God to work in that age
group. Reading is already on the map for the secular festivals, so why
not for TheCall? God can choose wherever he wants to work although
sometimes it's hard for us to fathom why God chooses anything. Let's
see what happens."
HELEN JAYNE MCKELLER
STYLE: Pop
BACKGROUND: Born in Wales,
Helen made four independent recordings before signing a major record
deal with Nelson Word in 1994. Her 'Safe' album led to appearances at
numerous festivals and TV before chronic fatigue syndrome/ME struck
her down and she disappeared from the scene. Helen returned in 2001
with the critically acclaimed independent album 'Give Me Life' though
another occurrence of her illness means that she is taking things easy
for the time being.
ABOUT HER MINISTRY: (Helen spoke in the
Nov/Dec 2001 CR) "I don't get angry, I tend to get emotional and cry
out to the Lord in prayers. How can we get angry if we base our lives
on God's promises to us in his Word? I think if we all asked God to
help us see life and think of our lives in eternal terms we would get
things into perspective." WHY READING FOR THECALL ENGLAND?: "To be
really honest, we have no idea why the Lord chose Reading to host
TheCall! It is very accessible though, from most directions and the
Madjeski stadium is certainly a top venue!