Sammy Horner spoke to the W'S whose debut album is released in the UK by Alliance
The third wave of ska is continually diversifying into a dozen new subdivisions. The W's, who made their British debut in December, play swing rather than pure ska. The line up consists of Todd 'The Rodd' Gruener, bass, aged 22; Andrew 'Little A' Schar, guitar/vocal, aged 20; James 'Yabbo' Carter, alto sax, aged 20; Valentine 'Valentino' Hellman, tenor sax, aged 25; Bret 'The Couger/Smiley' Barker, trumpet, aged 22 and Brian 'Nigel' Morris, drums, aged 18. Sammy Homer pinned Todd 'The Rodd' Gruener down with a few questions.
Where does the band hail from?
"The W's are from
Corvallis, Oregon. It's a small college town in the Williamete valley.
Either you go to school there or you raise cows."
How did you get your record deal?
"We got hooked
up with Frank Tate of Five Minute Walk by opening for Five Iron Frenzy
in November, FIF second CD release party. I guess Frank really liked
us, so we started a developmental deal in January 1997, and then
signed for a one plus three deal in March."
Why swing and not pure ska?
"Well, we tried
playing ska when we first got together, Andrew, Val and myself, and
now Tooth and Nail mailorder genius, Zak Shultz. With Zak on drums we
tried to play ska, but we couldn't It ended up swinging. We thought it
was more lounge core type music, but with the help of Maski's
wonderful amount of musical knowledge, we
discovered it was a
punk (fast) version of old swing."
What's life on the road like?
"Life on the road
is cool. Since we are all relatively young (Brian 18 and Val 25), we
tend to develop disputes amongst ourselves, but they don't last long.
Besides that, the road is a blast. I wouldn't trade this job for any
other in the world. We get to see new cities and I have met tons of
people, and some I even remember when we return for another show. The
road is cool."
What spiritual insights have you about teenagers in the
USA?
"I'm not sure. I'm learning more and more as I hang
out with them more. But I'm not far from being a teenager myself, I'm
22. I know when I was a teen I was always looking for something to
give me an inside peace. Everything I tried wouldn't give it to me.
Finally, after being raised in a Christian home, when I was about 16
it hit me what Jesus was all about. I think that's what the teens in
the US are looking for, and if they hang around the right people
they'll get it."
Why Christian music and not bars, etc?
"I
personally don't consider ours Christian music, although we have three
songs that say 'God' in them. We just end up writing about things in
our lives, God, girls and next door neighbours. Right now, Frank says
the best thing for us is to play to Christian crowds this first year,
to help promote us. Which is cool. I guess with the right promotion
behind a band in the Christian market, and being on top of the current
music taste, you can really sell a lot of records and develop a fan
base, but a fan base that's mostly Christian. If I had my way, we
would only be playing in the bars, playing to people who don't know
who Jesus really is. Besides, I really like playing music, then
hanging out with people, and talking about whatever they want to talk
about. If it leads to Christianity, cool, but if it leads to
skateboarding, or music, that's cool too.
"But I think within the next year, we'll be playing to the crowd that isn't Christian. That's the other thing that sucks about the USA, we have two music markets, a Christian market (where most of the time the only people who buy the music are Christians) and a 'general' market (which contain mostly people who are not Christian. Some Christians buy the general market music, but some Christians consider that wrong. I don't really understand why."
Originally published as part of The Ska Story: A history of the
genre